PHILWEB:
BIBLIOGRAPHICAL RESOURCES
OFF- AND ON-LINE

 

GENERAL                HISTORY                REGIONS                TOPICS


 

COGNITIVE SCIENCE, PSYCHOLOGY AND THE ARTS
COGNITIVE LITERARY THEORY
COGNITIVE FILM THEORY


ASSOCIATIONS

 

CONFERENCES

2012:

2011:

2010:

  • Consciousness, Theatre, Literature, and the Arts 4, Lincoln School of Performing Arts, University of Lincoln, May 28-30

2009:

2008:

2007:

  • Aesthetic Psychology, Department of Philosophy, Durham University, September 24-26
  • Consciousness, Theatre, Literature, and the Arts 2, Second International Conference, Department of Theatre, Film and Television Studies, University of Wales, Aberystwyth, May 5-7

2006:

  • Mind, Art and Beauty, University of Leeds, August 24-25

  • IX International Congress, International Society for the Empirical Study of Literature, Alberta, August 3-7

2005:

2004:

2003:

  •  

2002:

  •  

2001:

  •  

2000:

  •  

Annual:

COURSES

JOURNALS

PERSONS

SOURCES: PRIMARY

Book Series:

Off-Line:

  • Anthologies:

    • Cognitive Science / (Analytic) Philosophy of Mind:
      • Aldama, Frederick Luis, ed.  Toward a Cognitive Theory of Narrative Acts.  Austin: U of Texas P, 2010.
      • Fireman, Gary D., Ted E. McVay, and Owen J. Flanagan, eds.  Narrative and Consciousness: Literature, Psychology and the Brain.  Oxford: OUP, 2003.
      • Gavins, Joanna, and Gerard Steen, eds.  Cognitive Poetics in Practice.  London: Routledge, 2003.
      • Herman, David, ed.  Narrative Theory and the Cognitive Sciences.  Center for the Study of Language and Information, 2003.
      • Martindale, Colin, et al., eds.  Evolutionary and Neurocognitive Approaches to Aesthetics, Creativity and the Arts.  New York: , 2007.
      • Richardson, Alan, and Ellen Spolsky, eds.  The Work of Fiction: Cognition, Culture, and Complexity.  Burlington, VT: Ashgate, 2004.
      • Semino, Elena, and Jonathan Culpepper, eds.  Cognitive Stylistics.  Amsterdam: John Benjamins, 2002.
      • Steen, Francis, and Alan Richardson, eds.  Special Issue on Literature and the Cognitive RevolutionPoetics Today 23.1 (2002).
    • Psychology:
  • Selected Individual Works:

    • Cognitive Science / (Analytic) Philosophy of Mind:

      • Bourbon, Brett.  Finding a Replacement for the Soul: Mind and Meaning in Literature and Philosophy.  Cambridge, MA: Harvard UP, 2004.

      • Cuddy-Keane, Melba.  “Narration, Navigation, and Non-conscious Thought: Neuroscientific and Literary Approaches to the Thinking Body.” UTQ 79.2 (2010): 66-87.

      • Easterlin, Nancy. 

      • Hart, F. Elizabeth. 

      • Hobbs, Jerry.  Literature and Cognition.  Stanford: Center for the Study of Language and Information, 1990.

      • Holloway, John.  The Slumber of Apollo: Reflections on Recent Art, Literature, Language and the Individual Consciousness.  Cambridge: CUP, 1983. 

      • Jackson, Tony.  "Questioning Interdisciplinarity: Cognitive Science, Evolutionary Psychology, and Literary Criticism."  Poetics Today 21 (2000): 319-47.

      • Lancashire, Ian.  Forgetful Muses: Reading the Author in the Text.  Toronto: U of Toronto P, 2010.

      • Lodge, David.  Consciousness and the Novel.  Cambridge: Harvard UP, 2002.

      • Miall, David.  "Anticipation and Feeling in Literary Response: a Neuropsychological Perspective."  Poetics 22 (1995): 275-98.

      • Miall, David, and Don Kuiken.  "Foregrounding: Defamiliarization, and Affect: Response to Literary Stories."  Poetics 22 (1994): 389-407.

      • Richardson, Alan, and Mary Thomas Crane.  "Literary Studies and Cognitive Science: Toward a New Interdisciplinarity."  Mosaic 32.2 (1999): 123-140.

      • Robinson, Jenefer.  Deeper than Reason: Emotion and its Role in Literature, Music, and Art.  Oxford: OUP, 2005.

      • Rubin, David C.  Memory in Oral Traditions: the Cognitive Psychology of Epic, Ballads, and Counting-out Rhymes.  Oxford: OUP, 1995.

      • Schank, Roger C.  Tell Me a Story: Narrative and Intelligence.  Evanston: Northwestern UP, 1995.

      • Spolsky, Ellen.  Gaps in Nature: Literary Interpretation and the Modular Mind.  Albany: SUNY Press, 1993.

      • Stockwell, Peter.  Cognitive Poetics: an Introduction.  London: Routledge, 2002.

      • Tabbi, Joseph T.  

      • Tsur, Reuven.  Toward a Theory of Cognitive Poetics.  Amsterdam: Elsevier, 1992.

      • Wright, Terrence.  "Reader-Response under Review: an Art, a Game, or a Science?"  Style 29 (1995): 529-48.

      • Zunshine, Lisa.  Why We Read Fiction: Theory of the Mind and the Novel.  Athens: Ohio State UP, 2006.

    • Psychology:
      • Ehrenzweig, Anton.  The Hidden Order of Art: a Study in the Psychology of Artistic Imagination.  1967.

      • Cohn, Dorrit.  Transparent Minds: Narrative Modes for Presenting Consciousness.  Princeton: Princeton UP, 1983.  Rpt. in McKeon, 493-514.
      • Harding, D. W.  "Psychological Processes in the Reading of Fiction."  British Journal of Aesthetics 2 (1962): 133-147.

        • Aesthetics in the Modern World.  Ed. Harold Osborne.  London: Thames and Hudson, 1968.  300-317.

      • Martindale, Colin.  "Psychological Contributions to Poetics."  Poetics 7 (1978): 121-133.

      • Obler, P. C.  "Psychology and Literary Criticism: a Summary and Criticism."  Literature and Psychology 8 (1958): 50–60.

      • Poetics and PsychologyPoetics 7 (1978).

On-Line:

SOURCES: SECONDARY

Off-Line:

  • Anthologies:

    • Cognitive Science / (Analytic) Philosophy of Mind:

      •  

    • Psychology:

      •  

  • Selected Individual Works:

    • Cognitive Science / (Analytic) Philosophy of Mind:

    • Psychology:

On-Line:

UNIVERSITY PROGRAMMES / RESEARCH CENTRES / RESEARCH PROJECTS

Europe:

  • UK:

    • University of Wales, Aberystwyth: Department of Theatre, Film and Television Studies: MA in Theatre and Consciousness

USA:

WWW GATEWAYS

Cognitive Science / (Analytic) Philosophy of Mind:

Psychology:

 

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January 12, 2012

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