PHILWEB BIBLIOGRAPHICAL ARCHIVE

THEORETICAL RESOURCES OFF- AND ON-LINE

CONTENTS


 

FILM


ASSOCIATIONS

CONFERENCES

2012:

2011:

  • Film Phenomenology: a Symposium, Queen Mary College, University of London, November 1
  • Film-Philosophy Conference 2011, Liverpool John Moores University, July 6-8

2010:

  • Film Phenomenology: a Symposium, Queen Mary College, University of London, November 13
  • Surrogates, Avatars, and Zombies:  Film, Faith, and the Human Prospect, Fourth Annual Seminar on Faith, Film and Philosophy, Gonzaga University and Whitworth University, October 8-9
  • Film-Philosophy III, Third Annual Conference of the Film-Philosophy Journal, University of Warwick, July 15-17

2009:

2008:

2007:

  • Don't Look Now?  British Cinema in the 1970s Conference, Bill Douglas Centre for the History of Cinema and Popular Culture, University of Exeter, July 4-6

2006:

  • Films Without Frontiers, European Cinema Research Forum (ECRF), University of Wales, Swansea,
  • The Documentary Tradition, Film and History Conference, Dolce Conference Center, Dallas, November 8-12
  • Annual Conference, Literature / Film Association, Department of Electronic Media and Film, Towson University, November 3-5
  • First Annual Framework Conference, Screen Studies Program and Department of English, Oklahoma State University, November 3-4
  • Queering Migrations on Screen, Institute of Germanic and Romance Studies, School of Advanced Study, University of London, October 13
  • Film, Television and the 1950s, Plymouth State University, October 6-7
  • Inaugural Conference, Association of Literature on Screen Studies, De Montfort University, September 11-12
  • The Philosophy of Film: Towards an Understanding of Film as Art, Department of Philosophy, University of Liverpool, June 8-9

2005:

2004:

  •  

2003:

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2002:

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2001:

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2000:

  •  

COURSES

JOURNALS

PERSONS

Philosophers of Film:

Film Theorists:

SOURCES: PRIMARY

Off-Line:

  • Anthologies:

    • Philosophy of Film:

      • Choi, Jinhee, and Noel Caroll, eds.  Philosophy of Film and Moving Pictures.  Oxford: Blackwell, 2005.

      • Jones, Ward E., and Samantha Vice, eds.  Ethics at the Cinema Oxford: OUP, 2011.

      • Mullarkey, John.  Philosophy and the Moving Image: Refractions of Reality.  London: Palgrave, 2010.

      • Read, Rupert, and Jerry Goodenough, eds.  Film as Philosophy: Essays on Cinema after Wittgenstein and Cavell.  London: Palgrave Macmillan, 2005.

      • Smith, Murray, and Thomas E. Wartenberg, eds.  Thinking Through Cinema: Film as PhilosophyJournal of Aesthetics and Art Criticism 64.1 (2006).

      • Wartenberg, Thomas E., and Angela Curran, eds.  The Philosophy of Film: Introductory Text and Readings.  Oxford: Blackwell, 2004.

    • Film Theory:

      • Braudy, Leo, and Marshall Cohen, eds.  Film Theory and Criticism: Introductory Readings.  5th Ed.  Oxford: OUP, 1999.

      • Mast, Gerald, ed. 

      • Penley, Constance, ed.  The Analysis of Film.  Bloomington: Indiana UP, 2000.  21-27.

      • Rosen, Phil, ed.  Narrative, Apparatus, Ideology: a Film Theory Reader

      • Stam, Robert, and Toby Miller, eds.  Film Theory: an Anthology.  Oxford: Blackwell, 2000.

  • Selected Individual Works:

    • Philosophy of Film:

      • Frampton, Daniel.  Filmosophy.  London: Wallflower, 2006.

      • Gaut, Berys.  A Philosophy of Cinematic Art.  Cambridge: CUP, 2010.

      • McGinn, Colin.  The Power of Movies: How Screen and Mind Interact

    • Film Theory:

      • Arnheim, Rudolph.  Film as Art.  Berkeley: U of California P, 1957.

      • Baudry, Jean-Louis.  "Ideological Effects of the Basic Cinematographic Apparatus."

      • Baudry, Jean-Louis.  "The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema."  Narrative, Apparatus, Ideology.  286- 318.

      • Bazin, André.  What is Cinema?

      • Comolli, Jean-Louis, and Jean Narboni.  "Cinema / Ideology / Criticism."  Cahiers du Cinema (1969): .

      • Dayan, Daniel.  “The Tutor-Code of Classical Cinema.” 
      • Deleuze, Gilles.  Cinéma II: l'Image-temps.  Paris: Minuit, 1985. 
        • Cinema II: the Time-Image.  Trans. Hugh Tomlinson and Barbara Habberjam.  Minneapolis: U of Minnesota P, 1989.
      • Deleuze, Gilles.  Cinéma I: l'Image-Mouvement.  Paris: Minuit, 1983. 
        • Cinema I: The Movement-Image.  Trans. Hugh Tomlinson and Barbara Habberjam.  Minneapolis: U of Minnesota P, 1986.
      • Kracauer, Sigfried.  Theory of Film

      • Lynch, William F.  The Image Industries.  New York: Sheed & Ward, 1959.

      • Mullarkey, John.  Refractions of Reality: Philosophy and the Moving Image.  London: Palgrave Macmillan, 2009.

      • Peretz, Eyal.  Becoming Visionary: Brian De Palma's Cinematic Education of the SensesStanford: Stanford UP, 2007.

      • Silverman, Kaja.  The Subject of Semiotics.  Oxford: OUP, 1983.

      • Stam, Robert.  Subversive Pleasures: Bakhtin, Cultural Criticism and Film.  Baltimore: Johns Hopkins UP, 1989.

      • Wollen, Peter.  Signs and Meaning in the Cinema.  London: Secker and Warburg, 1969.

On-Line:

  • Philosophy of Film:

  • Film Theory:

SOURCES: SECONDARY

Off-Line:

  • Anthologies:

    • Blakesley, David, ed.  Terministic Screens

    • Colman, Felicity, ed.  Film, Theory and Philosophy.  Chesham: Acumen, 2009.

    • Stam, Robert, and Toby Miller, eds.  A Companion to Film Theory.  Oxford: Blackwell, 1999.

  • Selected Individual Works:

    • Andrew, J. Dudley.  The Major Film Theories: an Introduction.  Oxford: OUP, 1976.

    • Andrew, J. Dudley.  Concepts in Film Theory.  Oxford: OUP, 1994.

    • Lothe, Jakob.  Narrative in Fiction and Film.  Oxford: OUP, 2000.
    • Stam, Robert.  Film Theory: an Introduction.  Oxford: Blackwell, 2000.

    • Stam, Robert, Robert Burgoyne, and Sandy Flitterman-Lewis.  New Vocabularies in Film Semiotics: Structuralism, Post-structuralism and Beyond.  London: Routledge, 1992.

On-Line:

UNIVERSITY PROGRAMMES / RESEARCH CENTRES / RESEARCH PROJECTS

Canada:

Europe:

USA:

WWW GATEWAYS

 

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November 14, 2011

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